Post.
Motion.
Music.
Post-production leader, creative producer, and composer. Owned pre- and post-production on global fashion campaigns as Creative Producer at John Varvatos. Built brands from the ground up at Electric Mud — Corky's Coffee, Levitation Festival, Townsquare Media, Society of Vintage. Rough Trade Publishing deal for film & TV; sync placements on Netflix and Amazon. Records and performs music under the moniker DRÄGER. Directing an in-house video team at Immediate Family.
↓ ScrollDP + Post Production
Selected Reel · 2015 – 2026A decade running the full motion and post lifecycle for global fashion campaigns, music videos, and film. Editing, color, motion, audio finishing, and original score — end to end, on brand, on budget.
Shot on location. Cut, colored, and finished by hand — real light, real time.
Under the moniker DRÄGER I write and record the music — then build the films that carry it. Concept, casting, camera, cut, color and score, all of it mine. Narrative shoots run without a client, which is exactly why they show the eye rather than the service.
Music
55 tracks — Scores · Film · Fashion · Game · 2018 – 2026Where the music has landed.
Campaigns
Placement
Placements
Partners
- Netflix — "YOU" · The Villain You Need · Ep. 504 TV / Streaming
- "Last Meal" — Original score, full feature Film Score
- "Sonny Boy" — Detached · award-winning feature Feature Film
- "What's My Name Again?" — Are We Gonna Make It + original score Feature Film
- Todd Snyder — "Forward" · Fall/Winter "FORWARD" collection · NYFW Fashion / NYFW
- Michael Kors — Passenger · Resort 2025 campaign Fashion / Ad
- John Varvatos — 18+ scores · SS23 · Pre-Fall 23 · Fall 23 · Resort 23 · Bowie Collection · Alex23 Artist Series
- OGX — Wolf · "Director's Cut" Brand / Ad
- TrustMe Vodka — brand film score Brand / Ad
- NETWORK (Turkey) — Alone · fashion brand film New · Fashion
- Dance Church — Two Extremes Sync
AI Studio
Imagery · Direction · Campaign OperationsI come from a world
of artists.
I'm a filmmaker, musician, and photographer — someone who's spent years making things by hand.
I never rebelled against AI. I picked it up and bent it to the craft I already knew.
Today I lead AI content creation — authentic work, made faster, at the cutting edge of a new standard the whole industry is moving toward.
More output.
Less shoot time.
By leveraging the e-commerce product imagery already on your site, I turn flat catalog shots into full, campaign-ready content.
That frees your shoot days to focus on the artistic presentation of your hero products — while every other product still gets a spotlight.
The result: more for your marketing team, every season, at a fraction of the cost.
From product page to campaign.
I start with the exact images already on your storefront — then build the editorial world around them.
Before · Your Site
After · Campaign
Catalog flats become still-life art.
Every product, restaged in worlds with real light, texture, and mood — no studio booked.
Before
After
Any model. Total control.
Put your product on any model you can imagine — and control every element of the frame: styling, background, props, lighting.
Swap anything. Keep the product.
Same hero product, infinite directions — change props, set, and lighting while the product stays pixel-true.
Version A
Version BFlat to dimensional, instantly.
Turn a flat-laid garment into a clean, dimensional ghost-mannequin shot — ready for any storefront.
Before · Flat
After · Ghost MannequinEditorial, lifestyle, B&W — on demand.
One product line, every aesthetic your channels need — shot, styled, and graded in any direction.
Lookbooks, fragrance & still life.
From a complete seasonal lookbook to glassware and fragrance still life — one system covers the whole catalog.
An apparel brand, fully realized.
A complete campaign for Belief — every look generated from product references, no on-location shoot.
A consistent cast — a different vertical.
I took over creative direction on Green Apple's ad campaigns. Marketing cannabis on Meta was against policy — no product shots, no explicit reference. The AI system gave us a brand-owned cast, lifestyle scenes across NYC, and social-ready creative that hit brand without hitting the wall. Same system, new world.
A whole content engine.
Campaign imagery
Editorial hero shots in any setting
Ghost mannequins
Clean, dimensional storefront shots
Still-life sets
Products restaged with real light & mood
Lookbooks
Full-season coverage, every SKU
AI model library
A consistent, brand-owned cast
Product & fragrance
Glassware, packaging, packshots
Editorial selects.
Fashion, product, still-life. Same system, on brief. Real light, real texture — the campaign bar we hit before we get to break it.
Impossible, on purpose.
Not every AI image needs to fool you. Sometimes the point is the impossible frame — the office chair mid-river, the hammock strung between skyscrapers, the woman lounging on clouds above the skyline. Photoreal craft, fictional worlds. Knowing when the story wins over the specimen.
